It would not be exaggerating to say that Tom Joyner’s home in Golden Beach, Florida, is his magnum opus. The radio host, who has owned properties everywhere from Beverly Hills to New York, sold all of his other real estate holdings (and his airplane!) when he decided to retire to this exclusive enclave north of Miami. The town, a tiny sliver of land just west of Aventura, is famed for its regal oceanfront estates, which hold bragging rights nearly unheard of elsewhere: private beaches. So, it’s little wonder that Joyner, who calls the area paradise, wanted to make it his permanent residence.
But, with Golden Beach’s length of a mile and a width of only four blocks, real estate is coveted, and turnkey properties for sale are rare. Joyner opted to purchase a Mediterranean-style home we buy houses jacksonville that was in need of a facelift but had the advantage of jaw-dropping ocean views and access to a private beach. The process would end up taking two and a half years and a full gut renovation of the home, but the result is a manse flooded with light and large, airy spaces perfect for enjoying the view. And Joyner, for one, enjoyed the journey almost as much as the final result: “I liked the whole creative process,” he says.
Photo: Nick Garcia
His main directive was simple: “I wanted it to be very easy to see the sea from most places in the house,” he says. To achieve this goal, he worked with a team set up by his real estate agent and owner’s rep, Rossana Franco, and his interior designer, Deborah Wecselman, who was once senior director of international store design at Ralph Lauren. The group they assembled included architect Wesley Kean of KoDA, contractor Larqcon Group, landscape architecture firm Enea, and art consulting from Miriam Koplowitz. Since this project was a down-to-the-studs renovation (only the exterior façade bears any resemblance to the previous home), the teams had to work in lockstep to ensure a smooth redesign. To wit: Once Joyner decided to purchase an Anish Kapoor mirror on the advice of Koplowitz, Wecselman decided to design the living room around the blue-chip piece, which meant Kean and Larqcon Group having to structurally reinforce the wall before it was hung.
But it was Wecselman who ran point on the project: translating Joyner’s desires for large, flowing rooms and colorful interiors into the refined spaces they are today. “He was adamant that he wanted to see the views from the moment he walked into the house,” she says. Working with Kean on the architectural redesign was an easy choice: “He listens and he doesn’t have any preconceived ideas,” Wecselman says. “It was a seamless relationship.” Phase one included major structural overhauls, including tearing down the home’s many archways, totally reconfiguring the floor plan to open up the sight lines to the ocean (which involved adding new foundations to the home), and getting rid of a preponderance of ’80s-style travertine. As Kean puts it, the renovation was about reduction and not addition: “Using order, proportion and subdued color tones drawn from a limited material palette, the house was distilled to a more sophisticated version of itself,” he says.
For the interior design, Joyner pushed for a palette heavy in reds—his favorite color—while Wecselman tried to push him in the direction of more neutrals. “The hardest part about the renovation was trying to agree on colors,” Joyner says. “I started feeling like I was being consumed by beige and earth tones.” Common ground was finally found by the addition of bright red accent pieces, like a bespoke cabinet designed by Wecselman in the front gallery area and a colorful red, orange, and yellow piece by Allora & Calzadilla in the living room. Joyner also got his way in his basement-level boxing ring area, which boasts a fire-engine red epoxy floor. “I thought she was going to have a heart attack,” Joyner says with a chuckle. “I said, ‘Don’t be scared of red, Deborah!’”
However, in the master suite, which occupies the entire top floor, Wecselman’s love of more muted tones won out. The bedroom is a study in grays, with slightly sheer Holly Hunt curtains that can be either pulled around the bed or opened up, depending on the level of privacy needed. Also on this floor are Joyner’s at-home office, which is outfitted in black, white, and touches of gray, as well as ample room for his clothing, which is organized behind wood and glass doors. But the true jaw-dropping space is his bathroom, which features a RiFRA tub in the center of the room, surrounded by floor-to-ceiling glass. “It’s like you’re in the ocean if you shower with the window open,” Wecselman says. “But no one can see you, so it’s great.”